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Boris Yukhananov : ウィキペディア英語版 | Boris Yukhananov Boris Yukhananov–(Russian: Борис Юрьевич Юхананов) Director of the Electro Stanislavsky Theatre, Moscow. Yukhananov began his career as a film director and scholar. He was a pioneering figure in Russia’s underground art movement during 1980s-1990s and one of the founders of the film movement Soviet Parallel Cinema, which provided an alternative cinema to that which was run by the state. His major successes include a radical interpretation of Maurice Maeterlinck’s The Blue bird, the opera Sverlians and The Constant Principle. == Early life == Yukhananov was born in Moscow on 30 September 1957. In 1974, he began his career as an actor for the Moscow Puppet Theatre. In 1979 he graduated from the Voronezh Institute of Arts, gaining a major in stage and screen acting. He then acted for the Bryansk Regional Drama Theatre from 1979-1980. During the early 1980s, Yukhananov turned towards directing and enrolled onto the prestigious directing course conducted at the Anatoly Efros’s studio at GITIS (Russian Theatre Art Academy), the course was conducted by renowned Soviet director, Anatoly Vasiliev. Yukhananov’s first directing experience was as an assistant director to Anatoly Efros in the 1983 production of ‘The Tempest’. Yukhananov also played the part of Caliban. During his postgraduate, Yukhananov became Director’s assistant in ‘Serso’ written by V. Slavkin and directed by Anatoly Vasiliev. This experience developed Yukhananov’s own understanding of theatre, which later influenced his own method of directing. The most notable among Yukhananov’s early experimental projects is ‘Capriccios’, based on a record of J. Brodsky’s trial in a Soviet court. Nikita Mikhailovsky acted in this project. The subsequent friendship between Yukhananov and Mikhailovsky would lead to the creation of an entirely new project; the creation of the radical theatre troupe ‘Teatr Teatr’.
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